Abstract
The present article is devoted to the problem of cultural exchange in the field of performing arts. A brief overview of how it is happening at this time. It’s underlined that there is a need for the implementation of the exchange on a deeper cultural level, so that actors could master elements of other system of acting and use them in their work. An example of such a cultural exchange and cooperation between Moscow Elektortheater «Stanislavsky» and master of traditional Japanese Noh Theater is presented.
Keywords
theater, but, the form, content, Kata, Kamae, rehearsal, workshop
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